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Does time fly or what? This blog’s been dead for two and a half years – but I’ve been busy!
Career highlights since 2013:
Director of Photography on Pixar’s short film, Lava.
Led a small team which handled the camerawork for all the shots in the movie. Big emphasis was on preserving the SCALE of our main character Uku, who is a mile and a half wide!
Also worked as a Camera & Staging Artist on:
1. Inside Out
2. The Good Dinosaur
3. Finding Dory
A mere glance at this list flares up my carpal tunnel. So. much. work.
Me, Getting Emotional about Inside Out
I pitched 3 shorts internally at Pixar (in front of some of my heroes) which was a phenomenal experience, and am working on several projects on my own time.
First and foremost, I’m developing an ambitious Proof of Concept for a sci-fi thriller, tentatively called “The Portal Experiment”.
Although I’ve been working on it in some capacity for over two years, I’ve just begun a 5-month Leave of Absence from work to focus on getting through the rest of production and push ourselves into Post, which we’re hoping to wrap up by the end of 2016.
I’m collaborating with my good friend Mike Sundy on the feature screenplay, based on the short. Writing solo is painful for me, but with the right partner it’s actually fun!
And I can’t leave this out: last October I was flown to Cairo, Egypt to speak at the Qabila Film Festival and serve on the Jury for the Animation category. An absolutely amazing experience.
Welp, the movie has been out for over a month and my blog has been silent for nearly ten. So I thought I’d post a lil blurb on Monsters University — my first credit for Pixar!
I worked on Monsters University in the Camera & Staging department for nearly a year, and it was a pretty amazing experience. I’ve been working with some of the most welcoming and talented people I’ve ever met, and I’ve been doing my best to just absorb. I feel like I’ve learned a little bit about a whole lot of things, from storytelling to shot design, from studio management to how to best to mix six cereals together.
I contributed to several sequences in the film, and I’m definitely proud of the work I’ve done. One scene in particular was “shot” entirely by yours truly! And hundreds of thousands of theater-goers out in the real world have experienced it! The coolness still blows my mind.
Not sure at what point I’ll be able to show the work that I’ve done specifically, but I’ll be looking into that. I’d love to show a layout / final comparison…
Since finishing work on Monsters University, I’ve been bouncing between three other projects, including the next Pixar feature “The Good Dinosaur,” and the 22-minute TV Special, “Toy Story of Terror.”
What’s kinda cool about the above promo still is I got to be the one to frame it up. Looking at it now, I feel like I should’ve tilted down a bit more and lost some of Woody’s hat.
Ehhh, maybe. I don’t really know what I’m doing, actually. Pixar just hasn’t realized it yet!
Not too long after the release of “The Secret Number,” I was turned on to an interesting web enterprise called Tongal, which basically is in the business of crowd-sourcing video advertisements for major brands.
I thought it was a cool concept, and I thought I’d throw my hat in the ring for an advertisement for NASA’s Zero Robotics Challenge. I teamed up with a few colleagues from work, and this is what we came up with in 30 days:
We won second place in the contest. So consider this experiment a success!